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Sentinel Nigeria

Online Magazine of Contemporary Nigerian Writing

ISSN 2043-0868

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WELCOME TO sentinel nigeria | Issue #1 | February 2010

 

Fiction

 

That I May Live

a short story by

Temitayo Olofinlua

 

My Mama died that night, that dark night when the rains tore at the roof of the house; that night when thunderclaps made me recoil under the wrapper that I held close to my body, my legs bent inward towards my chest like an embryo; that deep dark night when the best place to be was to be covered in the blanket of the warmth of a lover’s bosom; that night when beds creaked in the unison of human seeds being sowed to be harvested in months; that night that flooded my Mama’s heart with the darkness of gloom, the hands of fear of rejection holding her down to that seat with her gaze fixed on the emptiness through the window.

 

When I returned from the market, my empty tray held down on my head with my left hand, I found her resting her hands on the wooden frame of the window, opened into the room, with her face withdrawn, longing etched boldly into her eyes. Her focus: the only path from the city. I greeted her, she mumbled a response. I knew it was one of her dark moods: she spoke to no one; only eyes empty of affection casting deep looks into nothingness; she replied no greetings; didn’t move out of the room, all night and day; not taking her bath and not eating. The demons have come to haunt her again; she would speak to herself, to people I cannot see. Sometimes I understand and at other times, she is incoherent. That night, I understood.

 

Clapping her hands together, then standing her chin on her right arm with her elbow resting on her thighs as if in deep thought, she broke into her speech: this man will not kill me o...going and coming like a visitor when he is not. May the Lagos devil eat him up...no, no, my God will keep him. ‘Eeah!’ she exclaimed, tapping her fingers over her head and out towards the window. That night, my mother died.

 

That night, I lay hungry and angry in the old bed where I usually snuggled between my Mama and Papa whenever he came on those stolen moments. That night, the violent gnawing of the worms at my intestines did not make me ask for food lest the molten fires of her anger, having dripped down, would burn me dark. When I turned to the wall, feigning sleep and shutting out the demons that my Mama summoned, I left her there staring, waiting and longing for a lover.

 

Her voice came to me again, those low tones that carried anger, fear and helplessness on its wings: the dollar has crashed, they say there is a crunch, global economic downturn, others said. Na dem dey crunch, me I dey kampe. Then, she laughed out loud, not the one she gave when my father tickled her. This one was throaty and dark, almost evil. She walked around again, picking and dropping unsold onions in the basket at the corner of the room, I know that’s what she is doing: I know the crashing sound. She dragged out the old metal box from under the bed; the screeching sounds making goose bumps rise in my flesh. I turned so I saw her through my covered eyes, she brought out her old Grade II Teachers’ Training Certificate beaten by age, with the veins of the paper saved from falling through by the lamination. She stood and called out her grades: English-A2, Biology-C5, Mathematics-P8 (I too hate Maths), Economics-A1 (I liked that one)...reeling it all out.

 

Then she paced around the room, murmuring as if a thousand mosquitoes were buzzing in the room. The thunder clapped out loud again, and I shuffle in pretended sleep. She pauses, not to disturb me. Then she sobbed silently tears dropping from her eyes:  Odigwe said that I gave him the disease, and I know I will die. Of hunger. Of people’s stares heavy with unspoken words...of their coldness, my unsold onions, where do I get money for food? Yes, I gave him, I gave the cobbler that died down the street, the pastor in church, and the imam; I gave them all so they give me money...

 

That night my Mama died.

 

Today I look back. Papa has not returned. My Mama still goes out in the morning without washing and wearing those dirty old gowns; taking her onions with her sometimes in bowls at other times, hanging heavily on her breath after eating them. Sometimes, she comes home with the dry onion leaves in her entangled hair, singing loudly and dancing: I sell onions; I give them the disease, onions and disease, I give them all. She still comes in every night, pecks me on the cheek and looks deep into the night. Waiting...

 

Tonight she comes when the dusk has gone to bed and dawn beckons; her black gown torn, stained with something whitish as pap with blotches of red; she has tears welled at the edge of her eyelids. She does not go to the window to wait. She goes outside, takes a bath and lies beside me. With the tears dropping from her eyes wetting my newly plaited hair, she snuggles close like a hen protecting its chicks from the preying eyes of the hawk. As I enter her again, she whimpers, tracing my cornrows: Nothing will happen to you, they will not give you the disease. I will protect you.

She died that I may live.

 

{ED’s Note: Another version of this story was published year in Reindeer, the inflight magazine of ABC Transport Company. }

 

DRAMA
EDITORIAL
FICTION
POETRY
ESSAYS & REVIEWS

 

Contributors
Abdulaziz Abdulaziz
Ahmed Farah
Amechi Obumse
Auwal S. Muktar
Binta Shuaibu
Chinelo Onwualu
Chioma Iwunze
Chioma Iwunze (2)
Dami Ajayi
Dami Ajayi (2)
D M D Goodhead
Emmanuel Iduma
Emmanuella Nduonofit
Gbubemi Amas
Gimba Kakanda
Henry Onyeama
Ifesinachi Okoli
Ify Omalicha
Isa Muhammad Inuwa
Jerome Dooga
Jingii
Kola Tubosun
Kola Tubosun (2)
Numero Unoma
Nwilo Bura-Bari V
Richard Ugbede Ali
Sifa Gowon
Tade Ipadeola
Temitayo Olofinlua
Temitayo Olofinlua (2)
Uche Peter Umez
Unwana Umana

Temitayo Olofinlua studied Literature at Obafemi Awolowo University and currently works as a freelance writer and editor. Her writing has been featured in various publications, online and in print. She loves teaching and lazing around with a good book and a bottle of cold drink.

 

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