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Online Magazine of Contemporary Nigerian Writing

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WELCOME TO sentinel nigeria | Issue #1 | February 2010

 

Fiction

 

It Was Written in Blue

A short story by

Emmanuel Iduma

 

There was no angel sent to monitor the elections, or the events that followed, it was purely a human affair. This was why the machetes and clubs kept landing on him, dropping on his head without musicality, like a marching band grown weary. Perhaps if an angel was there to monitor the elections, it would have been a different affair, his life would have lasted a little longer, his life would have ended more ceremoniously, without machetes and clubs and a torrent of voices chanting words he did not understand.

 

When his mind went bare, threadbare and tired of thinking, when he was finally dying and could take the machetes and clubs no longer, he would think of nothing else but the letter he had written in blue ink to his brother. No one would ever guess that he could do that; that he could think of a letter in the midst of dying pain.

But he did.

He thought of a letter while he was dying.

 

That day when he wrote the letter, two weeks before the machetes and clubs fell on him without musicality, there was a pile of white crumpled sheets beside his table, on the floor. He had written twelve drafts in all, a dozen drafts for more than a dozen things he wanted to say. The thing with the things he wanted to say was that they were like mad-running fluid, gliding over his mind like overflowing water. For it was one thing to want to write a letter, it was another to write it, to bring himself to the sudden realization that he had wronged his brother.

 

But his brother’s mind would glide over the letter, too, like mad-running fluid. He would read it so quickly that it made more than a dozen meanings to him, exactly as his brother had intended. He would read it so quickly so that he could forget the pain his brother had caused; it was like looking at the sea and thinking it was a white wall because it had drowned someone he knew. To think that his brother had written him in blue ink, four years after he disappeared, was too much for him to bear. This was why he read the letter so quickly that he would have to reread it, later, when his mind had stopped thinking the sea was a white wall, when his anger had grown stale.

 

He would not know that the letter would become a relic, a permanent keepsake, given to him as a final souvenir from his brother.

How could he have known?

 

The prelude to the announcement of the election results was a rehash of Louis Armstrong’s “What a Wonderful World,” sung by a local musician, a popular copycat of the masters. And then, immediately, the election results began to arrive. The change from the music to the results was so rapid, so forced, that the man who was listening got disinterested, and did not listen to the results.

 

He should have listened, for it was on the premise of the election results that he would be killed. He did not, but picked his Bible, and walked half a kilometer to the church; he was a priest of an Anglican Church, a house was built for him beside the church.

 

Just as he entered the church he heard his name, “Reverend Obinna.” He turned, but could not determine the person who called him; indeed, he looked at the gate from where the voice had come and saw not just one person, but more.

 

When the figures were clearer, it was Mr. Chukwuma, a member of the Anglican Church, and his four sons.

“Reverend,” he called again, when they were inches apart. His sons were still behind.

“Brother Chukwuma,” Obinna said.

“They have started killing people. In Sabon-Gari.”

Obinna could only say, “What?”

“Yes. Immediately after the elections.”

Mr. Chukwuma’s sons had joined them; they seemed like a pyramid when they stood together, their ages were tied to their heights, the oldest was thirteen, the youngest was seven.

Looking at them, the Reverend asked, “What can we do?”

“Let’s stay here. They cannot come here.”

“That is a lie. You know it is a lie.”

When he said this, Obinna walked inside the church. For some reason, he did not fully open the door, but moved it slightly so that it could accommodate his body. Mr. Chukwuma and his sons followed this pattern. By following this pattern, all six of them looked like Israelites marching to captivity in Babylon, marching on a straight line, with manacles tied from hand to foot. None of them could have believed they’d capture the Old Testament in living colour, so perfectly, as though the Bible had worn a shirt, a brightly-coloured shirt.

It seemed fear was soaked in a teabag and given to them.

And they drank it.

 

Obinna’s brother, when he had read the letter a second time, shook the anger away and decided to surprise his brother with a visit, initiate the path to peace. And again, this could have meant something magnificent if an angel had been assigned to monitor the elections, to ensure that there was no inhumanity. But there was no angel, and the forgiving step he took to meet his brother in Jos was like the star that the wise men must have seen.

Walking away.

Fleeting across the sky.

Ungraspable.

Later, he would remember that if he had driven more quickly, more steadfastly, he would have seen his brother as he had known him, complete with all his body parts, without disfiguration and discoloration. For when he drove for six hours from Abuja to Jos, he played Michael Bolton’s “Lean on Me,” fourteen times, and each time he sang out the words, cars kept speeding past his. His movement was slowed by music. If this had not happened, he might have gotten to his brother earlier, and met him in one piece.

 

DRAMA
EDITORIAL
FICTION
POETRY
ESSAYS & REVIEWS

 

Contributors
Abdulaziz Abdulaziz
Ahmed Farah
Amechi Obumse
Auwal S. Muktar
Binta Shuaibu
Chinelo Onwualu
Chioma Iwunze
Chioma Iwunze (2)
Dami Ajayi
Dami Ajayi (2)
D M D Goodhead
Emmanuel Iduma
Emmanuella Nduonofit
Gbubemi Amas
Gimba Kakanda
Henry Onyeama
Ifesinachi Okoli
Ify Omalicha
Isa Muhammad Inuwa
Jerome Dooga
Jingii
Kola Tubosun
Kola Tubosun (2)
Numero Unoma
Nwilo Bura-Bari V
Richard Ugbede Ali
Sifa Gowon
Tade Ipadeola
Temitayo Olofinlua
Temitayo Olofinlua (2)
Uche Peter Umez
Unwana Umana
 

Emmanuel Iduma is a Nigerian writer of prose and poetry. His works have been published online and in print on www.africanwriter.com, the African Writing Journal and the Saraba Magazine. He was a finalist in the Words in Action International Literary Contest 2008.

 

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